i have you bookmarked -
by =bowie-loon123vii. Sometimes breakfast, lunch and dinner were like art; food was flung from each corner, creating a futile canvas on every wall. I played a scale of musical doors as they slammed one by one. I'm sure I broke a few
But we mingled together. When his hand gripped mine with his feathery touch, it seemed okay to pretend. Maybe my mind still needed to develop, needed watering. Or maybe together we just made feelings obsolete.
iv. And we did.
We sat on park benches blowing smoke kisses and watched movies, that only seemed good because everything else on TV was crap.
Bubblegum. Pot. Gallons of ice-cream. We fed two pigeons and named them Ben and Jerry. We danced to Genesis, even though we both knew that they were possibly the most overplayed band in the world-universe-all-shopping-centers-in-London-ever.
At night we slipped between the park gates and sat by the lake. It felt like the moon was right next to me, rippling and watching us. He blanketed me there and we were fireworks exploding in an array of reds and diamonds. It was havoc and wonder.
ii. When he approached me the next night with a Stella Artois, I could only spew pleasantries from my mouth and swirl the sweetly stinging liquid that dribbled down my chin. The taste made my stomach turn, but I savoured the sensation as it touched my lips (like moths flapping their wings within my nerves).
His chatter became a hum: A fragile croon. I launched at him and crushed my lips against his as though connecting through sternum, lava-sweat and tongue could never be enough. Brandy probed my senses and his arms locked around me.
It was a temporary safety net and my nails raked down the flesh on his shoulder-blades in needneedneed like a cellist trailing each secret chord.
v. I tried so hard to memorize every inch of him, every second spent with him. It was impossible, of course, but I attempted to do it anyway.
I had to make do with film reels consisting of flashes: Snippets that are best left forgotten.
But I will always remember his eyelashes, crooked and discreetly sloped like the horizon. They were glossy and damp when I told him I loved him. We lay, foreheads touching, as our bodies became part of the beach. The seaweed, shells and foam had been sewn to our muscles and the sand clutched our arms and legs with hungry fingers.
I curled into myself, chin to knee, all too patient as he sighed (do I see tears?). Finally, his lips parted and my eyes met his blackbird lashes.
"I'm sorry."
iii. I peeled the duvet away.
Eyes still scrunched closed, I raked the curtains aside in the early hours of the morning. Clouds unfurled and flitted across the torn, magenta sky.
I saw the world as I probably should have seen it in that moment: Celestial and exhilarating and sobering. I traced the goosebumps on my clavicle and grabbed a marlboro from the bedside table.
He dragged his jeans over his thighs sprinkled with bluish-gray, placed his palm on my hip and nothing had ever felt like it belonged there so much. He smiled and his dimples looked like valleys spreading across fault-flecked skin. With a chaste kiss on my neck, he was gone.
I plucked a crinkled scrap of paper off my pillow (the gentle curve of his skull was still embedded in it) with his number and the words "We'll meet again" scrawled across it.
i. When I saw him, he reminded me of books.
It was like the moment you discover a specific book: A special book that you had been searching through the shops to find for months and months until you gave up and stopped searching. Finally, when you had almost forgotten about it, you saw it sitting on the bottom shelf. It leaned against the oak as though in deep slumber, isolated and a virgin to fingerprints. And from deep within your abdomen, you leaped.
He reminded me of that as he leaned against the bar. I wanted to nestle within his syllables and trail my nails along every vowel. I craved his parenthesis between my canines and longed to imprint his adjectives on each corner of my brain. I needed to read him.
Insides sprawling (my hipbone brushed against his and my spine twitched in waves), I extended my hand and reached for him. He didn't take it, he just smiled. The indents on his cheeks, the gap between his teeth and the strand of hair between his thumb and index finger were all I could think about.
vi. I was a collage of guilt, regret and ordinary stitched together to create a girl. I hammered trembling insecurities into his wrists and pinned coffee-stained letters into his ankles.
He consisted of ceramic sympathies, angular cheekbones and daffodil petals we had strewn across the bed sheets because yellow was his favourite colour.
I asked if I counted as dead when I was tired of living. He melted his lips against mine, trailed his bird-bone fingers along the space between my neck and shoulders and asked me if I still didn't feel alive.
I knew I would always return to him.











I actually really liked it and thought that it added to the whole dreamy effect, and made it seem more like a collage of memories (which I think is what you were going for?) and it worked beautifully.
I wouldn't have minded it if it were longer, but I think the length is fine. It has a lot of potential to become longer and still work, but anything shorter I think wouldn't be enough.
Yes, I don't think that much dialogue was needed in telling what you were trying to tell. I really respect that in a writer.
When I first started reading it, I saw it as a poem but as I got further along I was reading it more as a short story. Not a bad thing, though.
I thought that part was fine.
The idea itself is a bit cliche (which is why I scored it so low as far as originality goes) but the way you executed it I think makes up for that. I think this idea could have turned into a disaster and might have sounded whiny, but you were able to do the exact opposite and make it so that the reader can and wants to relate to it.
Okay. I am supposed to be critiquing you on behalf of #SuperWritersHelp, so I shall try to put the hopless romantic in me aside to concentrate on my inner critic.
Both of them adore this, by the way.
My critiques usually have a standard format, but I think answering your questions should suffice.
The first time I read this, I followed it, and my mind arranged it so that, entirely disregarding the roman numerals.
I think the story comes across much better chronologically. It doubles the impact.
vii was the weakest section to me, it feels a little empty, as though you hadn't quite fleshed your ideas out.
It's quite dreamlike, when one reads it in the order you've presented it, leaving me floating around in the ideas of your magical prose. One could get a bit lost.
Some stories don't need dialogue. What you have here is a beautiful piece of prose written in a very poetic way, prosetry, if you will. This sort of blend of prose and poetry rarely needs more dialogue than you included.
It certainly has poetic elements (as I mentioned before), but it would need a lot of reformatting and cutting to become poetry, and it works wonderfully as prose.
Vivid and overwhelming. It's overwhelming in that beautiful way that they fill you up almost as though you can feel them coming to life inside you.
As I mentioned before, your writing is powerful and vivid. I cannot sense a single cliche. Your words just feel alive.
I would switch "vi" and "vii" if you plan on making it chronological, because the former ties it off so much better. I would love to see a chronological version. Also, I left out half a star because I believe there is always room for improvement.
This is a true gem of literature, but you can still improve it's shine.
I'd love to see more of your gorgeous prose in the future, and be sure that I will plunder through your gallery for more.
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