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June 13, 2011
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i have you bookmarked -

by =bowie-loon123

vii. Sometimes breakfast, lunch and dinner were like art; food was flung from each corner, creating a futile canvas on every wall. I played a scale of musical doors as they slammed one by one. I'm sure I broke a few vocal chords too. He was always right beside me, yet so far.

But we mingled together. When his hand gripped mine with his feathery touch, it seemed okay to pretend. Maybe my mind still needed to develop, needed watering. Or maybe together we just made feelings obsolete.

iv. And we did.

We sat on park benches blowing smoke kisses and watched movies, that only seemed good because everything else on TV was crap.

Bubblegum. Pot. Gallons of ice-cream. We fed two pigeons and named them Ben and Jerry. We danced to Genesis, even though we both knew that they were possibly the most overplayed band in the world-universe-all-shopping-centers-in-London-ever.

At night we slipped between the park gates and sat by the lake. It felt like the moon was right next to me, rippling and watching us. He blanketed me there and we were fireworks exploding in an array of reds and diamonds. It was havoc and wonder.

ii. When he approached me the next night with a Stella Artois, I could only spew pleasantries from my mouth and swirl the sweetly stinging liquid that dribbled down my chin. The taste made my stomach turn, but I savoured the sensation as it touched my lips (like moths flapping their wings within my nerves).

His chatter became a hum: A fragile croon. I launched at him and crushed my lips against his as though connecting through sternum, lava-sweat and tongue could never be enough. Brandy probed my senses and his arms locked around me.

It was a temporary safety net and my nails raked down the flesh on his shoulder-blades in needneedneed like a cellist trailing each secret chord.

v. I tried so hard to memorize every inch of him, every second spent with him. It was impossible, of course, but I attempted to do it anyway.

I had to make do with film reels consisting of flashes: Snippets that are best left forgotten.

But I will always remember his eyelashes, crooked and discreetly sloped like the horizon. They were glossy and damp when I told him I loved him. We lay, foreheads touching, as our bodies became part of the beach. The seaweed, shells and foam had been sewn to our muscles and the sand clutched our arms and legs with hungry fingers.

I curled into myself, chin to knee, all too patient as he sighed (do I see tears?). Finally, his lips parted and my eyes met his blackbird lashes.

"I'm sorry."

iii. I peeled the duvet away.

Eyes still scrunched closed, I raked the curtains aside in the early hours of the morning. Clouds unfurled and flitted across the torn, magenta sky.

I saw the world as I probably should have seen it in that moment: Celestial and exhilarating and sobering. I traced the goosebumps on my clavicle and grabbed a marlboro from the bedside table.

He dragged his jeans over his thighs sprinkled with bluish-gray, placed his palm on my hip and nothing had ever felt like it belonged there so much. He smiled and his dimples looked like valleys spreading across fault-flecked skin. With a chaste kiss on my neck, he was gone.

I plucked a crinkled scrap of paper off my pillow (the gentle curve of his skull was still embedded in it) with his number and the words "We'll meet again" scrawled across it.

i. When I saw him, he reminded me of books.

It was like the moment you discover a specific book: A special book that you had been searching through the shops to find for months and months until you gave up and stopped searching. Finally, when you had almost forgotten about it, you saw it sitting on the bottom shelf. It leaned against the oak as though in deep slumber, isolated and a virgin to fingerprints. And from deep within your abdomen, you leaped.

He reminded me of that as he leaned against the bar. I wanted to nestle within his syllables and trail my nails along every vowel. I craved his parenthesis between my canines and longed to imprint his adjectives on each corner of my brain. I needed to read him.

Insides sprawling (my hipbone brushed against his and my spine twitched in waves), I extended my hand and reached for him. He didn't take it, he just smiled. The indents on his cheeks, the gap between his teeth and the strand of hair between his thumb and index finger were all I could think about.

vi. I was a collage of guilt, regret and ordinary stitched together to create a girl. I hammered trembling insecurities into his wrists and pinned coffee-stained letters into his ankles.

He consisted of ceramic sympathies, angular cheekbones and daffodil petals we had strewn across the bed sheets because yellow was his favourite colour.

I asked if I counted as dead when I was tired of living. He melted his lips against mine, trailed his bird-bone fingers along the space between my neck and shoulders and asked me if I still didn't feel alive.

I knew I would always return to him.
:iconbowie-loon123:
:icondonotplz::iconusemyartplz:

Full title: I have you bookmarked, but I always find myself back at page one.

For ~wish-sticks. She requested a piece about loving someone you can't have, but appreciating every moment you spend with them. In this case, we have a story of unrequited love. She initially requested poetry, but it came out as prose. Sorry! :heart:

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Prompts for feedback:
:bulletblack: Is the progression of events effective? Or would this work better in chronological order?
:bulletblack: Is it too long? Too short? Do certain parts need more clarification than others, or is it fairly easy to follow?
:bulletblack: This is a story containing practically no dialogue. Does that work well here?
:bulletblack: Can you see this as a poem?
:bulletblack: Details: Vivid or overwhelming? If any of this piece is overwhelming, where can I tone it down?
:bulletblack: Which lines seem trite? I have tried to keep an equal balance of originality and turn the cliches on their heads, but I don't know if I have succeeded.
:bulletblack: Anything else?

Mandatory critique for #theWrittenRevolution: [link]

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This has been featured by *DailyLitDeviations.

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July 10th, 2011: Edited thanks to ~K47454k1. He helped me tone it down on some of the adjectives and adverbs. I'm going to be re-working this bit by bit.

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I'm currently doing Literature :points: Commissions. If you are interested in requesting literature from me, see my guidelines here!
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Daily Deviation

Given 2012-02-22
i have you bookmarked - by =bowie-loon123 is a curious love story told in disordered fragments. ( Suggested by ~SadisticIceCream and Featured by $lightningmonkey )
:iconcaptaincowboyboots:
:bulletblack: Is the progression of events effective? Or would this work better in chronological order?

I actually really liked it and thought that it added to the whole dreamy effect, and made it seem more like a collage of memories (which I think is what you were going for?) and it worked beautifully.

:bulletblack: Is it too long? Too short? Do certain parts need more clarification than others, or is it fairly easy to follow?

I wouldn't have minded it if it were longer, but I think the length is fine. It has a lot of potential to become longer and still work, but anything shorter I think wouldn't be enough.

:bulletblack: This is a story containing practically no dialogue. Does that work well here?

Yes, I don't think that much dialogue was needed in telling what you were trying to tell. I really respect that in a writer.

:bulletblack: Can you see this as a poem?
When I first started reading it, I saw it as a poem but as I got further along I was reading it more as a short story. Not a bad thing, though.

:bulletblack: Details: Vivid or overwhelming? If any of this piece is overwhelming, where can I tone it down?
I thought that part was fine. :)

:bulletblack: Which lines seem trite? I have tried to keep an equal balance of originality and turn the cliches on their heads, but I don't know if I have succeeded.

The idea itself is a bit cliche (which is why I scored it so low as far as originality goes) but the way you executed it I think makes up for that. I think this idea could have turned into a disaster and might have sounded whiny, but you were able to do the exact opposite and make it so that the reader can and wants to relate to it.
What do you think?
The Artist thought this was FAIR
2 out of 2 deviants thought this was fair.

:iconpuppy-eater:
Wow. As =iGoldilocks said, lit-gasmic.
Okay. I am supposed to be critiquing you on behalf of #SuperWritersHelp, so I shall try to put the hopless romantic in me aside to concentrate on my inner critic.
Both of them adore this, by the way.
My critiques usually have a standard format, but I think answering your questions should suffice.

:bulletblack: Is the progression of events effective? Or would this work better in chronological order?
The first time I read this, I followed it, and my mind arranged it so that, entirely disregarding the roman numerals.
I think the story comes across much better chronologically. It doubles the impact.

:bulletblack: Is it too long? Too short? Do certain parts need more clarification than others, or is it fairly easy to follow?
vii was the weakest section to me, it feels a little empty, as though you hadn't quite fleshed your ideas out.
It's quite dreamlike, when one reads it in the order you've presented it, leaving me floating around in the ideas of your magical prose. One could get a bit lost.

:bulletblack: This is a story containing practically no dialogue. Does that work well here?
Some stories don't need dialogue. What you have here is a beautiful piece of prose written in a very poetic way, prosetry, if you will. This sort of blend of prose and poetry rarely needs more dialogue than you included.

:bulletblack: Can you see this as a poem?
It certainly has poetic elements (as I mentioned before), but it would need a lot of reformatting and cutting to become poetry, and it works wonderfully as prose.

:bulletblack: Details: Vivid or overwhelming? If any of this piece is overwhelming, where can I tone it down?
Vivid and overwhelming. It's overwhelming in that beautiful way that they fill you up almost as though you can feel them coming to life inside you.

:bulletblack: Which lines seem trite? I have tried to keep an equal balance of originality and turn the cliches on their heads, but I don't know if I have succeeded.
As I mentioned before, your writing is powerful and vivid. I cannot sense a single cliche. Your words just feel alive.

:bulletblack: Anything else?
I would switch "vi" and "vii" if you plan on making it chronological, because the former ties it off so much better. I would love to see a chronological version. Also, I left out half a star because I believe there is always room for improvement.
This is a true gem of literature, but you can still improve it's shine.
I'd love to see more of your gorgeous prose in the future, and be sure that I will plunder through your gallery for more.
What do you think?
The Artist thought this was FAIR
23 out of 24 deviants thought this was fair.

The Artist has requested Critique on this Artwork

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love 3 3 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:iconangelichope:
I've learned allot about loving someone you can't have!!!
I thought this was very sweet and well written, and kinda has an original feel to it.:)

--
The world can be a better place if you have a thankful heart*
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:iconlitany-of-winter:
Yes, a good daily deviation.

I remember how cruelly talented you are with innuendos. Pschhtt, it's delightfully maddening.

The numerals, I see what you did there. Awfully brilliant. You effectively made that story readable in two different orders. Do you realise how awfully brilliant that is? I wonder if you do.

So for your first feedback prompt...girl, that point is moot. You made the story readable in two different orders, fuck the order of the universe at that point.

Too long or too short...well depends if someone likes it short or if they are a glutton like me. It's pretty much perfect in this case, considering you fucked with time-space. Longer would have probably been detrimental to the overall result.

Worrying about length is a bit silly. You'll notice if its short if the message isn't delivered, and you'll realise it's too long if it looks like the text passed under a steamroller. You'll know, because you talk about the consequences of excessive pen-dancing with your next prompts.

Dialogue? It would have broken the rythmn. There's no need of it because you wrote it in a way that makes dialogue unnecessary.

Mmm, you know where it's vivid :B You did it on purpose, you sly rogue. That might be why you feel some parts are more dull, but I think the contrast is necessary. I mean, I don't expect an orgasm while I water my plants.

Now what would seem trite, that is a good question. A technique you use often is how you queue together ideas/synonyms to shape the image of a scene. It seems a bit overanalytical at times to be thinking about 3-4 things at a time, but maybe that's part of the character. But also I know you, you're like that in real life I bet. I'm no expert, but maybe focusing on a single image would deliver a more powerful message. Just a thought..


Anything else...well, when you'll learn more tricks and twirl words around even better (although I don't know how you would get better than this), then you'll probably be able to sell your texts as literary masturbation devices. Yes, I'm serious.

Just one thing though. I had a bit of a hard time trying to find the main theme of this story. It's about unrequited love and there are parts of the text that hint towards it in vii. but elsewhere, like vi. I can't seem to see that it's about unrequited love, I can imagine a character feeling the same way with someone they can be with. But like I said, that's just my opinion at this point.
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:iconpplop:
the beginning is very strong and vibrant and the last section seems a little underwhelming in comparison. however, i really appreciate this how it is. it doesn't need to be a poem - because rhyming would restrict the colourful language you've used.
in terms of length it is just right, but i might say the sections should be in a slightly different order. i like that it's not in chrnonlogical order, but like i said, the ending sounds far less original than the beginning. the lack of dialogue is pretty much perfect -- it emphasizes that their relationship is not based on words. i highly discourage toning down the language - what you have is visceral and sensual.

thankyou so much for bringing this piece into the world! keep up the good work!

--
Faith that is firm is also patient. Isaish 28:16
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:iconmadis-hartte:
*madis-hartte Feb 23, 2012  Hobbyist General Artist
Okay. While I don't necessarily agree with some of the things that the narrator does in this, I love, love, LOVE your words. They are simply breathtaking. Thank you for sharing them with us.

--
"NOOOOO! It's the wrong fish. I've taken the wrong fish. River, we've got the wrong fish!" ~The Doctor
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:iconkaptain-kat:
I think it would work better chronologically, although it works out of order too!
That aside, this is fabulous. The wording is amazing, I loved every sentence of it. Great job! :heart:

--
Gravity, thou art a heartless bitch.
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:iconultimatesketchqueen:
*UltimateSketchQueen Feb 22, 2012  Hobbyist Digital Artist
I thought the whole progression was nice--easy to follow, and written in a very lovely way : )

--
**With Sprinkles♥
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:iconrunty:
~runty Feb 22, 2012  Student General Artist
That is gorgeous... ;.;
I wasn't sure what the story was when I was reading, but the way you put the words together really got the right emotions and sensations and 'places' out.

So nicely written ;u;

--
Martin Bashir: Yow\'re nawt Peeta Pahn.
Michael Jackson: I\'m Peter Pan in my heart.
:heart:

i like nonsense.
it wakes up the brain cells. 8D
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:iconnamenotrequired:
^namenotrequired Feb 22, 2012  Student Interface Designer
Congrats on the DD! :hug:

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:iconmissdemenour:
Wow! Beautifully lyrical, poignant & evocative. You brought this couple to life in my head, like watching a film & being in it at the same time, feeling that ache...ouch! I love the whole piece but particularly "i. When I first saw him... etc" - perfect!
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:iconnicswaner:
=NicSwaner Feb 22, 2012  Student General Artist
Congrats on the feature!

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:bulletwhite: Poetry Admin at *DailyLitDeviations :bulletwhite:
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